The conservation of the mosaics of San Vitale in Ravenna, Italy,
This is an extraordinary book: The implications for our understanding of the Gesamtkunstwerk are transformative: Rigorously researched and highly accessible, Modernism after Wagner places the Gesamtkunstwerk at the heart of modern art and culture.
Modernism after Wagner traverses astonishingly diverse terrain. Avoiding the elegiac register of recent studies, Juliet Koss brings to an impossibly expansive subject a welcome historical precision, laced with mordant wit.
One could imagine any one of them being included on a variety of course syllabi, whether in course in art, design or theater history, aesthetics, German cultural history, or in courses examining the concept and history of modernism in general, and not only after or according to Wagner.
She has done a great service by bringing this unrecognized development within modernism to light and, in the process, highlighted many structures and performances that were not well illuminated in the literature.
At the same time, she calls for a reconsideration of how modernism itself had to be understood more fully in relation to the theoretical and historical development of the Gesamtkunstwerk.
It is also a vivid ethnographic account of the cultural realities of the Yukaghir people of Siberia. Set in the mid and late s, this book captures the political chaos, corruption, desperate poverty, and Mafia economic order plaguing the Russian Far East after the Soviet collapse.
On the Run in Siberia is a powerful, reflexive ethnography. It evokes the youthful idealism and sense of adventure which drew many of us to anthropology. It is also a riveting page-turner.GER Intermediate German Fall The course aims to solidify previously acquired German, while expanding the range of usable vocabulary and syntax.
Emphasis in class on task-based approaches to grammar, writing, listening comprehension and cultural understanding, using texts and film.
The Forces of Form in German Modernism charts a modern history of form as emergent from force. Offering a provocative alternative to the imagery of crisis and estrangement that has preoccupied scholarship on modernism, Malika Maskarinec shows that German modernism conceives of human bodies and aesthetic objects as shaped by a contest of conflicting and reciprocally intensifying forces: .
Lull, William P., with the assistance of Paul N. Banks.
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Š imon's artistic work has always been very popular and in high demand. He painted several masterpieces and created more than graphic artworks of high quality. An Irish Gaelic road sign showing Tironian et and ampersand. (Image courtesy of Stan Carey.).
Like this road sign, the Tironian et showed the way, but the ampersand was the real destination.